WEIRDER-ASS CHIRSTMAS

As promised by compiler Cat A. Waller, 

"Weird Ass Chirstmas" is now up. Any Scrooge would have his head turned around by this: Esquivel, Mel Blanc, a guy singing like a frog, a track from the infamous "Star Wars" xmas album, Stewart Copeland of The Police in his oddball 'Klark Kent' persona, Fred from the B-52s singing about fruitcake and Sammy Davis Jr with an upset stomach, Wayne Newton going disco (one of my long-time faves), and, er...Lou Reed's "Metal Machine Christmas." 

Sorry to the requester who asked for "Bah Humbug: An Alternative Christmas" - can't find that one. But I did re-up this one, a whole album about trees.

See y'all next year!

ANOTHER WILD XMAS

'Tis the season for yet another installment of that beloved yuletide tradition, Bomarr's 'wild xmas' compilations of "...the best of the best, and the worst of the worst holiday music out there." And a rocking stocking stuffer it is, too, with some famous weirdos like the Residents and
Quintron & Miss Pussycat, a track from the Moog-sterpiece "Switched-On Santa" (hey, I had that one on vinyl!), and lots of stuff I (and probably you) have never heard of, e.g.: Uncle Anus' "Merry Fucking Christmas Ya Filthy Animals," anyone? A messed-up sound collage, that one is. Amidst all the outsider/novelty sickness is a wonderful '60s girl-group obscurity, "Christmas Time Is Here Again," by The Flirtations, not the Charlie Brown one.

"Wild Xmas With Bomarr" "a solid 79 minutes of madness, and definitely not safe for your sensitive parents." Seamlessly mixed, I might add.

But wait: he says that after 10 years, this will be the last one. Wha..? Don't let the Grinch take this from us! Ah well...have had a couple requests for the infamous Wayne Butane xmas sound collage and the entire 

"Merry Mashmas

collection, so it's now back up. As is another request, just in time for Frankies' 100 birthday bash: 

Frank Sinatra "Come Suck With Me."


 

"All I Want For Christmas Is A Goat"

The Worst Christmas Record Ever is back on-line. As well it should be.

And I thought that my beloved pot-bellied pigs Christmas album was the nuttiest sampled- animal- sound-fx Christmas album, a cherished tradition going back to Don Carlos' Singing Dogs in the 1950s. But this one just might beat 'em all. Goats! The silly Swedes behind this album chose very traditional, usually religious songs, and perform them with straight-faced solemnity. The contrast between these o holy nights and the goats' unholy screams is the funniest, flat-out weirdest holiday novelty I've heard in a while.

I'm not posting the album cuz it's brand new and the proceeds go to charity (Yes! buying weird music is finally tax-deductible!), so do the right thing and get it here:

"All I Want For Christmas Is A Goat" (or any number of other places, iTunes, etc.)


WEIRD-ASS CHRISTMAS

Maniacs! Do any of you have the "Trekkies 2" soundtrack? I've been getting lots of requests lately to re-up oldies, and that ones' file has gone missing. But lots more old posts are back up, cuz you axed for it:

"A Crafty Ladies Christmas"; 2 volumes of "Christmas Is For Weirdos"; lots of "Horrible Singing Children;"  RIAA's albums, except for the most recent ones (the ones on top, will get to those soon); and 8-count-'em-8 Zoogz Rift albums.

Merry Kissmyass! In the holiday spirit of giving, two fine Maniacs have hit us with some great comps of x-citing, x-otic, (x-hausting?) xmas weirdness:

"Deck Your Face With Xmas Music" - Don-O, who compiled the two "Ultimate Ultimate Xanadu" comps for us, is a wearer of many hats, two of which conjoin here: his 'zine "Twilight World," and his mix-tapes. In the latest ish (#20) of his compulsively readable publication, Don dishes at length on his fave Christmas albums (here's a preview), and this is the audio companion. Great stuff, ranging from the sleazy 1960 Sun Records "Rockin Stockin" single (perfect for "rated x-mas" burlesque shows), to some kooky Space Age sounds from the Three Sons, to a wild Optigan track (man, I gotta find a copy of this album), culminating in a spectacular reading by filmmaker John Waters on why he loves Christmas.


Cat Waller, who bequeathed unto us those lovely "Monstro Monster Mixes" is back with several volumes of yuletide yummies: 

 https://xmasmixes.wordpress.com/
We posted a link to this page last year when he put up "Rude Ass Christmas Mix (NSFW!)" which claims he has tweaked a bit for this year. I deffo also recommend the "Lynchian"  Ghostly Trio album, recorded off a tape as just side 1 and side 2. Concidentally, Don-O includes a track from it on his collection. And Cat claims that there's a "Weird Ass christmas Mix" a-comin', so keep watching the skies!


MUSIC MADE FROM SOUND EFFECTS 2

A year we ago we wrote about artists such as The Fruiting Body who make music out of everyday sounds. I am happy to say that this trend is continuing. People of Earth!  Your musical instruments are...OBSOLETE! 

We salute you, France, for you are the country that gave us, among other things, musique concrète. And Furniker (aka Franz Schultz), who might literally be making concrete music - I would not be surprised if an actual concrete mixer was featured in the track "Construction Site." That's a song featured on Furniker's brand new, all-too-brief, 4-track 'net release that takes everyday stuff (song titles include "In The Kitchen" and "Work") and samples and loops them into a rhythmic, compelling din. You won't find too many hummable melodies here, but if you like industrial music, well..this really is industrial.

Furniker/"Furniker" (Bandcamp streaming) 
Furniker/"Furniker" (archive.org free downloading/streaming)

-----------------------------------------------------------------------------------------------------------
I found this chap on Bandcamp:
Spannerman Dan ("instruments are made from found and recycled objects")
His short, low-key songs (sketches, more like) aren't too spectacular, but "Pailito" is nice, and "Calder Waltz" is very nice, with what sounds like alien animals vocalizing over pleasantly chiming bell-like sounds.
 -------------------------------------------------------------------------------------------------------------
Sneak previews of two forthcoming albums that I am very much looking forward to (bookmark this page!):

The great Matmos have released a track from their forthcoming (Feb 2016) album named after the only "instrument" they used to make it: a Whirlpool "Ultimate Care II" washing machine. Dig this swell percussion jam that will also make whites whiter, colors brighter:

Matmos: "Ultimate Care, excerpt 8"

And Miles Copeland (the IRS Records founder/manager of The Police, I assume?) will be releasing this Dec. 10th a collection of his field recordings of the "Sea Organ" built into the coastline of Croatia. Waves roll into tubes of various sizes, creating a theoretically endless, random piece of music. Quite lovely. Two tracks for, if you'll pardon the expression, streaming, are now up:
"Sea Organ"

Thanks to James Carroll!



Behold, the Daxophone! The FUNNIEST Instrument Ever?!?


The late, great Hans Reichel gets a lot of props in the modern jazz world for his guitar playing, which is all well and good, but Maniacs should proceed directly to the few recordings he made highlighting his invention, the hand-crafted wooden objects known as Daxophones. Imagine a school kid bending his ruler over his desk making a boing! sound, only played with a violin or cello bow. In the hands of Reichel, a master musician as well as inventor, the Dax is amazingly versatile, capable of all manner of sounds, often with cartoonish undercurrents.

Reichel calls this album an 'operetta' even tho there are no singers. Indeed, there are no other instruments on this album besides the Daxophone. Yet the instrument has the uncanny ability to mimic human speech sound. Not only that, but the song "Bubu And His Friends" sounds like a whole barnyard of animals singing in harmony. Not only do these instruments sing, they swing, dad. These are not just weird noises for a chin-stroking avant-garde academic. "Street Song" is filled with hand-clapping joy. The percussion-heavy "You Can Dance With Me" reaches an almost Afro-Cuban level of danceable groove. And the catchy bubblegum rock of "Oway Oway" could convert the most brainwashed of mainstream music followers (well, in my fantasy world...)

Some songs suggest actual musical genres, like salsa, jazz or country, but played as if by Martians who, after picking up some terrestrial radio transmissions, attempt to interpret  the music of Earthlings on their alien instruments, tuned to no known scale. A wonderful work of weird genius. The fact that the name 'Hans Reichel' is not as well known as 'Kardashian' does not speak well for the human species, but we can start changing that right now:

Hans Reichel - "Yuxo, A New Daxophone Operetta"   [2002]

You can also listen to/buy another great Daxophone album (along with a slew of his guitar releases) here:


https://destination-out.bandcamp.com/album/shanghaied-on-tor-road


Thelonious Moog - "American Standard"


Thelonious Moog's debut album was, as you might expect, jazz cats playing Mr. Monk on vintage synths. Their 2007 follow-up, "American Standard," ditched the music of their namesake for an unpredictable, irreverent romp ranging from heavy cats like Gershwin, Brubeck, & Zappa, to the EZ kitsch of those thrift-store inevitables "Alley Cat" and Al Hirt's "Java," all getting the same zany Space-Age treatment and some ingenious arrangements. Raymond Scotts' "Powerhouse" is dunked in wacky cartoon sound-effects, Duke Ellington's exotica standard "Caravan" goes surf-rock (+ odd noises) and one of my fave kooky '70s glam classics, "Hocus Pocus" by Focus, gets tackled here twice. All quite silly, but played by pros, and plenty fun - one of the best novelty albums of the '00s.

Thelonious Moog - American Standard


  • 1.Powerhouse
  • 2.T 4 2
  • 3.Hocus Pocus (Swingin' 60's)
  • 4.Caravan
  • 5.Take 5, 6,& 7
  • 6.Got Rhythm?
  • 7.Alley Cat
  • 8.Duodenum
  • 9.Hocus Pocus (Bossa Nova)
  • 10.Have U Seen It Yet?
  • 11.Java
  • 12.Harlem Nocturne

The Complete EVERYDAY FILM...

...is available for free, supposedly for today only. Dig the horrific electronics:

https://theeverydayfilm.bandcamp.com/
UPDATE: Oops, well, so much for that.

By request, "Music For Weirdos Vol 5" is back up.

Right, back to my sick bed. Zzzz.....

The EZ-Listening Gangsta Rap of DJ NoNo

 By request, the marching-band versions of Stooges classics is back up.

"Planned 10 years ago, the Ballroom EP (now album) has been a long time coming…
Mixing ballroom music – big band, jazz, bossa nova, exotica, swing, easy listening and classical pops – with hip hop and r n’ b." So sayeth that red, rad robot DJ NoNo (aka Tim from Radio Clash) about his mashup collection now on-line for your dancing/romancing/listening/downloading pleasure. And what a pleasure it is, mixing the likes of hardcore rappers Public Enemy with an exceedingly cheesy version of the "Mexican Hat Dance." One of the oldies that gets remixed is one of my all-time fave mashups: "Stripper Jackson," which features Jacko singing over a version of that bump-n-grind classic, "The Stripper." This is the kind of stuff that I used to feature regularly in the early days of this here web-log.

Only 9 tracks long, and it's all quite fun and ridiculous. And I'm not just saying that because it's partially dedicated to me. (Looks at the floor) Ah, shucks...

DJ NoNo: "Ballroom"

  1. Mexican Love War (Public Enemy ‘Make Love Fuck War’ vs Geoff Love ‘Mexican Hat Dance’)
  2. Push It Muchacho (Salt n’ Pepa ‘Push It’ vs Esquivel ‘Mucha Muchacha’)
  3. March of the Forgotten (Joe Loss ‘Mark of the Mods’ vs Dre ft Eminem ‘Forgot about Dre’)
  4. Swing The Guillotine (Death Grips ‘Guillotine’ vs Glen Miller ‘In The Mood’)
  5. Stripper Jackson (Joe Loss ‘The Stripper’ vs Michael Jackson ‘The Way You Make Me Feel’)
  6. Quando Tip (Q-Tip ‘Breathe And Stop’ vs Manuel ‘Quando Quando Quando’)
  7. Super Wheels (Eminem ‘Superman’ vs Joe Loss ‘Wheels Cha Cha’)
  8. Ludasifinado (Ludacris ‘Stand Up’ vs Laurindo Almeida ‘Desafinado’)
  9. Cha Cha Like It’s Hot (Snoop Dogg ‘Drop It Like It’s Hot’ vs Starlight Strings ‘Unforgettable’ 2015 remaster)

HI-FI SCI-FI: Vintage Monster/Space/Horror/Futurism Audio Oddities

Now up for your downloading pleasure, six (and counting) volumes of monstrous mix-tapes, perfect for these Halloween-y times we're living in. And what might their contents be? Compiler Cat A. Waller sez: "I'm afraid to say what's on them. Might get googled and busted. I'm kinda wimpy like that." Well, after checking out three volumes (so far) I can heartily recommend this witch's brew of vintage horror rock, more recent New Wave and novelty artists, and relevant sound (vampire?) bites and film dialogue, amongst other surprises.

Monstro Monster Mixes 

Still not enough for ya? "Hi-Fi Sci-Fi," the latest installment in our continuing exploration of mid-century arty-facts from the Golden Age of Cool, deals with every aspect of the fantastic: Outer Space! Monsters! Monsters from space! Not only is much of this stuff ripped from vinyl and, so far as I know, has not been compiled on other collections of vintage sleazy-listening sounds, but there's also a number of tracks recorded off of video: movie songs (and dialogue, sound fx, etc.) that were not released on record, but should have been. There will be more such movie musics in future volumes. So keep watching the skies!

Apart from the unknown garage rockers and novelty acts releasing 45s on regional labels, we also have a few big stars: Diana Ross & The Supremes, Bo Diddley, Louis Prima...and crooners. Crooners already rule, but when they sing straight-faced, sincere, utterly inappropriate 'love themes' to cheesy b-movies, they just get, er, 'rule-ier.' Bobby Rydell's finger-snappin' vocal version of "Telstar" must be heard to be believed. See also: "Journey to the Seventh Planet" on "Vol. 5".

Lowbrow Vol. 6: HI-FI SCI-FI 

01 The Crescendos - Countdown
02 Louis Prima - Fly Me To The Moon [from a private-press release by this king of Vegas lounge singers]
03 Gemini & The Planets - Copa City Promo, Miami, FL ["gyrating go-go girls dancing on a bed of nails"?!]
04 The Supremes - Dr. Goldfoot and the Bikini Machine [wouldn't it be nice to hear the oldies station play this theme song to a nutty Vincent Price film instead of "Baby Love" for the umpteenth time?]
05 Monty Johnson - Flying Saucers in the Air
06 The Sci-Fis - Science Friction
07 Ralph Young - Moon Doll [future half of very successful duo Sandler & Young croons the theme to "Nude On The Moon," a film about nudes on the moon.]
08 "Frankenstein Meets the Space Monster": Bob Crewe - Scramble All Jets
09 Big Maybelle - Egg Plant That Ate Chicago [rhythm and blues legend Maybelle recorded the original "Whole Lotta Shakin Goin On"; which is all well and good, but I prefer this]
10 "Annihilation"
11 "Beach Girls and the Monster" - suspense music [My title - like track 15, I don't know the names of the uncredited pieces of music]
12 Bo Diddley - Mummy Walk
13 "Evil Hand"
14 Frankie Avalon - Voyage to the Bottom of the Sea
15 "Beach Girls and the Monster" - spooky bongos
16  "Beach Girls and the Monster" Kinsley The Lion & Elaine Dupont - Monster In The Surf
17 Astronauts - The Hearse
18 Teddy and Darrel - Gary Ghoul Boy [pioneering campy gay humor]
19 "I am Robert Robot, mechanical man. Ride me and steer me, wherever you can"
20 Bent Bolt & The Nuts - The Mechanical Man
21 "HAL is Operational"
22 Ray Cathode - Waltz In Orbit [featuring a pre-Beatles George Martin!]
23 Buchanan & Goodman - Frankenstein of '59
24 Carl Douglas - Witchfinder General [yep, the "Kung Fu Fighting" guy; I literally did LOL listening to this one]
25 "Werewolf in A Girl's Dormitory": Marilyn Stewart/ Frank Owens - Ghoul in School
26 Frankie Stein and his Ghouls - Three Little Weirds [This sounds like it may be the song "Jerk" from "Lowbrow Vol. 2," only w/added crazy sound fx]
27 Bobby Rydell - Telstar [This song had lyrics? Believe it or don't! The vocal version was often called "Magic Star."]
28 "Frankenstein Meets the Space Monster" - capture of the earth women 
29 Travis Wammack - Theres A UFO Up There
30 Orange Groove - A Bad Trip Back to '69 [I think this song appears on the 101 Strings album "Astro-sounds": probably more budget label shenanigans, like track 26]
31 Lex de Azevedo / Doug Stewart - Zero Population [An ultra-conservative's idea of a dystopian future, from "Saturdays Warrior," a Mormon rock-opera - yes, there really was such a thing. Lex de Azevedo had a long career w/Capital records, releasing the Mrs Miller albums!]
32 Charleton Heston - "Soylent_Green"
33 Columbia Playtime Orchestra - "Rocket Ranger Song"
34 David Rose - Forbidden Planet [The man behind the huge hit "The Stripper" is a long way from the burly-q house here]
35 Count Chocula, Frankenberry, and Boo Berry - Monster Adventures In Outer Space

artwork courtesy of Mitch O'COnnell
 

"Night Of The Living Dead" soundtrack







































I think this speaks for itself, doesn't it?

The internets sez: "Since their meager budget did not allow for an original music score, producer Karl Hardman selected cues from the Capitol Hi-Q production music library which [director George] Romero masterfully edited into the film. The end result was spine-chilling. Although this same music had been used more than a decade earlier in low-budget efforts such as Teenagers from Outer Space, The Hideous Sun Demon and The Killer Shrews, it would become forever known as the soundtrack to Night of the Living Dead."

Choice bits of dialogue are also included in this collection.

Night Of The Living Dead OST

A1 Spencer Moore Driveway To The Cemetary (Main Title)
A2 William Loose / Seely At The Gravesite/Flight/Refuge
A3 George Hormel Farmhouse/First Approach
A4 Ib Glindemann Ghoulash (J.R.'s Demise)
A5 George Hormel / William Loose / Seely / Ib Glindemann Boarding Up
A6 Philip Green / George Hormel First Radio Report/Torch On The Porch
A7 George Hormel Boarding Up 2/Discovery: Gun N' Ammo
A8 Spencer Moore Cleaning House
B1 Ib Glindemann First Advance
B2 George Hormel / Jack Meakin Discovery Of TV/Preparing To Escape/Tom & Judy
B3 George Hormel Attempted Escape
B4 George Hormel Truck On Fire/Ben Attacks Harry/Leg Of Leg
Effects [Electronic Sound Effects] – Karl Hardman
B5 George Hormel Beat 'Em Or Burn 'Em/Final Advance
B6 Spencer Moore Helen's Death/Dawn/Posse In The Fields/Ben Awakes
Effects [Electronic Sound Effects] – Karl Hardman
B7 Spencer Moore O.K. Vince/Funeral Pyre (End Title)

Oh Come On, MORE Experimental Psychedelic Bagpipe Music?!

Count 'em
Yeah, I know, but this one's really great. Julia Wolfe, of New York's Bang On A Can posse, released this a few years ago, and is performing it for the first time in Los Angeles this week - on a bluff overlooking the ocean. For FREE. It's a teaser to get you to see the BOAC concert. The whole piece runs about 13 minutes. No other instruments, just bagpipes. 

The first part is total mind-melting psych drone, like Glen Branca in a kilt. Not only does it sound nothing like what I thought bagpipe music was supposed to sound like, it pretty much caved in my skull. And I do not take drugs. Part 2 sounds more bagpipe-y, and gets into subtle minimalism territory.


Julia Wolfe "Lad (for 9 bagpipes)" parts 1 and 2

from the album "Dark Full Ride"

Ultimate Xanadu 22























Don-O is the very busy culture-vulture who slipped us "Ultimate Ultimate Xanadu" last year, a sampling of the numerous cover versions of songs from the 1980 musical film "Xanadu". A film I still have not seen (the likes of Olivia Newton-John and ELO barely budge my interest-meter), but Don-O makes an interesting point in the debut ish of his new 'zine "Space-Age Ashtray" that "Xanadu" fits snuggly into the world of classic Las Vegas and mid-century Space-Age/tiki culture, the sort of stuff that sends my interest-meter skyrocketing. So, hmm...
 

He's back with 20 more "Xanadu" soundtrack covers ranging from solo acoustic to full-blown disco orchestrations. Along they way we encounter: an a capella choir, Marie Osmond and Andy Gibb, an Asian language cover, lo-fi live recordings, no-fi grungy rock, lots of Broadway-style warbling, and a vocal choir singing a medley of ELO hits, not all from "Xanadu." Take a hit of ultimate Xanax! Er, I mean:

Ultimate Xanadu 22




Calvin B. Rhone: "He Came On Me"

I'm just gonna stick with the facts on this one.  No comment necessary. Calvin B. Rhone is a still-active Los Angeles gospel singer who recorded this private-press sanctified soul album in 1983. Some tracks have a lot more to do with Earth Wind and Fire or Stevie Wonder than with robe-clad, hand-clapping choirs. Enjoy! 

 P.S.: One of the songs is called "He Came On Me." The title phrase is indeed sung by Rhone. Repeatedly.

Calvin B. Rhone has an "Intimate Friend"

A1 We've Come To Praise Him
A2 Intimate Friend
A3 Lord!
B1 Believe
B2 He Came On Me
B3 I LoveTheLord
B4Bless The Name Of Jesus

I just discovered this album last week and - Why look! Someone else posted a YouTube of said song just a month ago. Coincidence? Or perhaps the universe just wasn't ready for this record until now..?

A1 We've Come To Praise Him A2 Intimate Friend A3 Lord! B1 I Believe B2 He Came On Me B3 I Love The Lord B4 Bless The Name Of Jesus Copy the BEST Traders and Make Money : http://bit.ly/fxzulu

Copy the BEST Traders and Make Money : http://bit.ly/fxzulu
A1 We've Come To Praise Him A2 Intimate Friend A3 Lord! B1 I Believe B2 He Came On Me B3 I Love The Lord B4 Bless The Name Of Jesus Copy the BEST Traders and Make Money : http://bit.ly/fxzulu

Copy the BEST Traders and Make Money : http://bit.ly/fxzulu
A1 We've Come To Praise Him A2 Intimate Friend A3 Lord! B1 I Believe B2 He Came On Me B3 I Love The Lord B4 Bless The Name Of Jesus Copy the BEST Traders and Make Money : http://bit.ly/fxzulu

Copy the BEST Traders and Make Money : http://bit.ly/fxzulu

BANDCAMP IS THE NEW CASSETTE CULTURE: Dark Ambient Edition

It's fall, Halloween is around the corner, so let's get moody with these FREE! listening/download contemporary internet releases of a decidedly strange and obscure nature. If Lovecraft's Miskatonic University had a college radio station, these albums would be on heavy rotation.



Ak'chamel: "Old Norse Mara" - Like the Residents attempting to summon occult entities (or The Elder Gods), this album is dark, distorted, evil ambience, culminating in the compelling "Death Was On You From The Moment of Birth." But it's then followed by an utterly incongruous surf-punk instrumental(?!). No matter, a demonically-possessed muppet then takes over the lead vox for the next track. (The more overtly shaman-istic "Fucking With Spirits" is plenty cool, too.) Price: Name your price.

Sasha Olynyk: "1955" (EP) - What is this, a '50s crooner & an EZ orchestra collaborating with Portishead? It's hard to tell thru the hallucinogenic fog. 25 minutes of mysterious melancholy,  sometimes quite beautiful, a la Boards of Canada, only Olynyk really is Canadian. The moment in "Surfers Dream" where the "Rebel Without A Cause" soundtrack morphs into the song is magical. Price: Name your price.

Hanetration - "Murmurist" ep - One of our fave ambient-ists. "Begin" is indeed a great place to begin; the gently clanking percussion + church organ drone of "Sundown" = one of his best ever. Price: Free


Duet for Theremin and Lap Steel: does what it says on the tin. Tho sometimes joined by guests, most of these free releases are by an Atlanta, GA duo who deliver deep drone instrumentals that sound nothing like the Space Age sounds you'd expect from theremins, or the usual country/Hawaiian-isms of steel guitar. All live, all improvised. Price: Name your price. See also: http://duetonline.net/sample


Over Sexteen Vol. 2: Prudes Won't Think It Funny!

By a very wide margin, one of our "Lowbrow" collections of mid-century sleazy-listening sounds is the most popular post of the year, and several other lowbrow posts aren't far behind. Which is great, glad to tap into something so many of you wacky cats 'n' wigged-out chicks are craving, but I'm running out of suitably vile vinyl. So I've gone record-hunting and sound-digging lately, and this time, apart from 45s (and I have found a few goodies already) and recording otherwise-unavailable songs off of old b-movies, I'm also hitting up the comedy bins for "party albums" - naughty humor sold under record counters to, er, "sophisticated" adults. A lot of them just feature lame stand-up comedy that you don't need to hear more than once, even if that, but sometimes even these records have a good musical track or two.

And then there's this nutty thing, just purchased a week or so ago. Based on books of the same name, "Over Sexteen Vol. 2" stars an uncredited stentorian announcer hosting dirty jokes, acted out with enthusiasm by some uncredited actors who favor silly ethnic voices, and actresses who use a squeaky New Yoiker goil voice. All in the service of sometimes funny, but very dated humor. The audio equivalent of novelty cocktail napkins.

What really makes this album, however, is the organ interludes that pop up between the jokes and skits. Sometimes the songs reference the preceding joke. The combination of all these elements add up to an inexplicable whole that is greater than the parts. I couldn't believe I was actually laughing at this corny humor as much as I was.

Over Sexteen vol2

Absolutely no information listed on the album cover, except the name 'Kermit Schafer,' the huckster who would later become very successful for his 'blooper' albums of broadcasting goof-ups. Some of those alleged mis-speaks and outtakes were bogus, recreated using actors. Perhaps the very actors featured here.

Tiny Tim: Concert In Fairyland

Annoying Animal Sounds Christmas Novelties , "Muppet Christ Superstar," my vote for the strangest musical instrument ever, and "Cool Cowboy" are back up - by request, strangely enough.

When legendary outsider oddball Tiny Tim was experiencing his late '60s fluke mainstream popularity, some low-level record company weasels dug up on old tape of Tiny singing classic old childrens and novelty songs and Tin Pan Alley standards, and for some reason decided to add some silly crowd sound effects. Tiny's voice certainly improved in the years following this recording. So Tiny never considered this part of his official discography, but there's still some good stuff here. Look at that song list - come on, don't you wanna hear a ukulele-strumming Tiny singing "On The Good Ship Lollipop" in his otherworldly falsetto ? 'Course you do!

With Love and Kisses From Tiny Tim: Concert In Fairyland

Oh, How I Miss You Tonight
Let Me Call You Sweetheart
On the Good Ship Lollipop
Secret Love
Animal Crackers
Indian Love Call
Don't Take Your Love from Me
If I Didn't Care
You Make Me Feel So Young
10 I Got a Pain in My Sawdust (an original recording of this somewhat disturbing song can be found HERE.)
11 Be My Love
12 Toot, Toot, Tootsie, Goodbye

See also:


Music for Homemade Instruments - A Decade of Debris (1988)


Like the band featured in this blog's previous post, The Hoosier Hot Shots, this group also performs on homemade instruments. However, one group is considered "novelty" and the other "avant-garde." It's all rather arbitrary, and class-ist. This band isn't quite as funny as the Hoosiers of course, but they are plenty tuneful, with nice toe-tapping compositions sometimes derived from Indonesian gamelan music, something ex-members of this group would explore further with the (I believe) still-running band of fellow New York arty-smarties, Gamelan Son of Lion.

Music for Homemade Instruments - A Decade of DebrisI just wish I could see these instruments. I could only find one photo (right), and no videos. 

Despite their academic background, this is fun stuff, not just self-indulgent banging around - hence, not a completely unlikely companion to the Hot Shots. The track "Inside the Compound" is even a kind of mutant blues. An excellent album that should have had greater distribution. This was a cassette-only release. So, yeah, this file is taken from a tape, but still sounds pretty good.

Music for Homemade Instruments- A Decade of Debris (1988)

a1 Glyptodont (Skip La Plante)
 a2 Inside the Compound (Geoffrey Gordon)
 a3 Streetsong (Alice Eve Cohen) [not safe for work!]
 b1 Ball Lead (Rolf Groesbeck)
 b2 Native Cat Songs (David Simons)


HOOSIER HOTSHOTS: One-and-a-half Albums

 Just realized a couple days ago that my emails have been getting deleted. If you've written to me in the past couple weeks, sorry. I am trying to restore them.

The Hoosier Hot Shots were one of the first and best of the novelty bands, predating Spike Jones & crew, as I wrote back in 2011. Since then, I've found two Hot Shots vinyl releases...er, well, one-and-a half, to be precise. Continuing our discussion of budget labels, the "Hound Dog" album was released thru one of those shoddy companies, and a number of the songs are not by the Hoosiers, but by a folk group playing the kind of standards that could be heard around any campfire. See? Not all filler is killer. The Hot Shot's tunes are great tho, just mind the dodgy sound quality, and try not to wince at the awful album cover.

Speaking of the covers, there is absolutely no info on them, but I'd wager that these tracks were recorded in the '50s or '60s judging by their hi-fi sound and the presence of popular '50s styles like calypso and rock'n'roll. One song even has not-entirely-convincing celebrity impressions. Brilliantly inventive and effortlessly enjoyable nonsense, with a surprisingly spooky interlude.

HOOSIER HOTSHOTS: One-and-a-half Albums

a1 Sweet Georgie Brown
a2 Ida
a3 Mary Ann
a4 Darktown Strutters Ball [hey, it's the one socially acceptable coon song!]
a5 Toot Toot Tootsie
b1 Washboard Stomp
b2 Down By The Riverside
b3 Indian Love Call
b4 Heartaches
b5 Wabash Charleston
c1 Intro
c2 Hound Dog
c3 Them Hillbillies Are Mountain Williams Now*
c4 Mr Sandman
c5 There's No Romance In Your Soul
c6 Meet Me at the Ice House Lizzie


*This song, about the spread of hillbilly music from it's folk roots to mainstream acceptance, is actually pretty astute - the music industry did indeed come up with the phrase 'country music' as a gentrified replacement for 'hillbilly music,' a phrase that was perceived as being too lower class to appeal to mainstream record buyers. Just as 'rock'n'roll' became 'rock,' comic books' became 'graphic novels,' 'graffiti' became 'street art'...